I talked about the ting sound that you hear to indicate that the clay has turned to metal. The first time it was unmistakable. Sometimes it’s not quite as obvious and I have to test the bead a few times to make sure that I’m really hearing a ting.
When the piece stops flaming, you know that the binder is burned off. But, it still takes a few minutes of firing to sinter completely. No ting means that it’s underfired and isn’t completely sintered. And if it’s underfired, it can crumble! At that point, you have half-fired metal (not clay anymore) so it’s not even good for glue.
So, how do I make sure that I don’t underfire it? Basically, I err on the side of caution and make sure that the bead is absolutely glowing before I start my timer. I also fire with the lights off so that I can really see the glow and make sure that it maintains that glow for the entire time. I probably risk overfiring the bead, but at most I’m overfiring it for 10-20 seconds, so I think the risk is small. And I still always make sure that it’s an even, glowing heat and that it never gets “angry red.” If it gets too hot, you can melt it (I’ve melted part of one bead so I know what “angry red” looks like) but I haven’t seen any consequences of keeping it at the right temperature for just a little longer than it needs to be. I’ve been tempted once or twice to put a bead back under the torch after it’s cooled, but usually a few drop tests and I can hear the ting. And so far none of my beads have crumbled.
Of course, all of my experience is with silver clay. I’m a bit concerned about the copper clay once I start trying it. I’m not sure why copper clay is trickier, but I have heard of people (who have experience with silver clay) having issues with underfired copper clay.
Note: that’s not actually underfired clay in the picture, just my interpretation of what would happen to a bead if I underfired it :)
Do you err on the side of caution with anything that you do? Or do you throw caution to the wind?
I tend to overdo things hence why no bumpy beads as I always end up melting them in… It’s why ridges are good for me in practicing how to stop!
I also have the opposite problem where I jump in out of excitement and underdo things. One day I aspire to be Goldilocks and get it just right!
Mars xx
Ah! I hadn’t thought about how too much heat could melt features off of your beads! But that really makes sense :D
It’s hard finding that balance when you’re excited, isn’t it :)
I often err on the side of caution – I like to have everything done in plenty of time, I upload things early, I check emails over and over again, that sort of thing :).
Tasha
Tasha’s Thinkings | Wittegen Press | FB3X (AC)
I err on the side of caution more often than not, but so far it hasn’t led me astray! :D I sometimes force myself to hit send rather than rethink a message for the tenth time. Of course, then I think of a better way to say it. But, there’s always a better way.
This beadmaking is a minefield – I’m impressed at your skills!
Susan A Eames from
Travel, Fiction and Photos
Well, it might seem more like a minefield because you’re having a bit of a crash course over the course of this month :) I learned them all over the course of the last year and a half and I got to practice them all as I went! I really love doing it so it’s fun to me. :)